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Skip to 0 minutes and 9 seconds So now let’s have a look at the upper voicings, starting with F69. Then Dminor7 - the third inversion, Gminor7 - second inversion, C7 - thirteenth, same again. Then Cminor7 - third inversion, F7 - the ninth, Bflat major7- the third inversion, and then a big jump up to

Skip to 0 minutes and 40 seconds Eflat7- the thirteenth, then first time bar: Dminor7 - third inversion, G7 - ninth, Gminor7 - first inversion, C7 - thirteenth. Then as before and the second time bar Gminor7, C7, Fmajor7 home again. Then the thirteenth for C7, II, V, I. Then the first inversion for Aminor7 and then the thirteenth version for D7, take us down a tone - the thirteenth version of C7 and then we’ve met all the rest

Skip to 1 minute and 38 seconds of the chords before: Gminor7, C7, Dminor7, G7, Gminor7, C7.

Skip to 1 minute and 47 seconds Then our turnaround: F69, Dminor7, Gminor7, C7 - last line - and now this big jump: Eflat7 - thirteenth version, and then II, V, I home. Let’s see if we can do it with the playalong.

Skip to 2 minutes and 9 seconds Don’t forget the 4 bar introduction: C7 - thirteenth version. Here’s the tune.

Playing "Blue Room" with a playalong using upper voicings

We play the tune “Blue Room” with a playalong using upper voicings.

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This video is from the free online course:

Learn Jazz Piano: I. Begin with the Blues

Goldsmiths, University of London