Spaces for Women’s drama: an interview with Marion Wynne-Davies
In this interview, Professor Marion Wynne-Davie discusses the use of household spaces for women’s drama, the banqueting house at Nonesuch for Lumley’s “Iphigenia,” (1557) and the Sidney-Herbert country houses from which Mary Sidney Herbert’s “Tragedy of Antony” (1592) and Lady Mary Wroth’s “Love’s Victory” c1619-21) were composed.
As you are listening, think about the ways in which the Sidney women’s drama crosses the boundaries between public and private.
Penshurst Place and the Sidney Family of Writers
Penshurst Place and the Sidney Family of Writers
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