Skip to 0 minutes and 1 secondI think probably something that everybody said is the standard things are "Do you work for the police then? Do you go into hospitals?" No I don't go anywhere I work at home, it's all by email no I don't leave the house you know. And the the difference between translation and interpreting it's, it's more of a void when people realize quite often I think. yeah yeah I mean it doesn't bother me to explain that particularly, but it is something that comes up time and again.
Skip to 0 minutes and 26 secondsI mean people that some people have said to me sometimes oh you can redo your work anyway take your laptop sit on the beach, but you can't you have to be in quite a good work station with a very comfortable chair because um no distractions, and everything set up nicely around you. So although I mean I have worked on the kitchen table on holidays and things like that really, it takes its toll if you do that because you get a bad neck. (laughing) yeh so yeh it has to be is a good work station really. The challenges of being a court interpreter are a lot of the time to do with the conditions under which we have to work.
Skip to 1 minute and 13 secondsMainly the fact that we work on our own, for very long periods of time this doesn't happen in other forms of interpreting, for example I also work as a conference interpreter and you always work with a colleague and you take turns. This doesn't happen in court you can work long unsociable hours.
Translation and linguistic landscapes part 1
In Week 2 we talked about translators, who they are and how they work. But what about the spaces in which translation takes place?
In this video, two translators and an interpreter talk about the importance of space for their work. And all three try to dispel some of the stereotypes about their professions: the two translators describe how they work mostly from home, alone, but in surroundings which are meant to be both comfortable and well-organised. There is no chance of them working on the beach and most of the time they have no direct interaction with others: no busy courtrooms or police stations appear in their professional practice. Perhaps more surprisingly, the court interpreter too stresses that she works mostly on her own: in this case, being alone means not having any colleagues with whom to share her thoughts, her long hours and her responsibilities.
Translation is indeed often portrayed as a solitary task. Yet both as an activity and as a product it is far from being confined inside a room: it inhabits our streets as much as our computer screens, our theatres and museums as well as our schools or our hospitals. And the space occupied by translation can be transnational, but it can also be contained within one nation. As we saw in Week 1, translation can work both within a single language and among different ones. Similarly, translation can ‘move’ texts and meanings across the boundaries that separate nations, but it can also inhabit the space of a single city, or a single institution.
We tend to imagine nations as monolingual, or sometimes perhaps bilingual, but in fact most of them incorporate multiple languages, whether these are spoken by different indigenous groups, by established minorities, or by recent immigrant communities. How those languages are made visible – or invisible – and how they are treated – with equal dignity, or as an unwelcome necessity, or perhaps even as a bit of an afterthought, makes a substantial difference to the way in which people feel about space. Whether we feel ‘at home’ or experience a sense of belonging in a place is closely linked to our ability to ‘read’ the space that surrounds us.
Here you can watch the trailer for the documentary ‘Africa Is You: The Somali-Dutch Community in Birmingham UK’ As you watch the trailer you will hear two languages: English and Dutch.
Many members of the Birmingham Somali community moved to the UK after spending a substantial period of time in Holland, hence Dutch is a language they frequently use. Through the Somali community Dutch therefore enters the space of a major British city. And for many members of that group it functions as a marker of shared identity, belonging and memories.
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