Task: Record and submit a 3 chorus performance of the waltz “Someday My Prince Will Come” with a course playalong (attached at the bottom of this article). The first and …
Congratulations, you have completed the third course. I hope you feel you are now able to: Apply your understanding of the devices used in modulation Explore the role of strong …
Learn Jazz Piano This step describes the content of this course, as well as upcoming courses which will build on what you have learned here. Part I: Begin with the …
If you are interested in any of my recordings, many of which have been referred to in the course, then they can be downloaded from my Bandcamp site http://raydinverno.bandcamp.com – …
Here are some tracks :- MIles Davis Sextet “On Green Dolphin Street” (1958) from “Jazz Track” Bill Evans Trio “On Green Dolphin Street” (1959) Keith Jarrett Trio “On Green Dolphin …
At the end of Week 6 you should be able to :- Know of the voicings, the basic rooted chords and “Ray’s” chords (where appropriate) for the major seventh, minor …
Please consider sharing your recordings and I particularly recommend Soundcloud for doing this. Play a blues in C with a playalong using two note thinner voicings in the left hand …
This video reviews the section on chord theory and indicates which are the important parts for you to consider working on. It also includes some suggestion for viewing and listening. …
We analyse the structure of the important jazz standard “On Green Dolphin Street” and the various ways of playing it. You can download the “On Green Dolphin Street” chart in …
I illustrate a device which I sometimes use, to some extent intuitively, which I call parallel and transitional chordal shifting – not that I generally want you to employ this …
I illustrate triads over unrelated roots by playing and improvising solo over Jan Garbarek’s tune “Entering”. You can download the chart for “Entering” in PDF format at the bottom of …
We have a first look at the advanced topic of playing triads over unrelated roots. You can download the charts for “How Deep Is The Ocean” and “Lament (first four …
We look at the idea of reharmonising a chord sequence of a jazz standard and, as an example, consider Keith Jarrett’s reharmonisation of 6 bars in the middle of “Stella …