Yoko!, Jakomoko!, Toto! is a children's animation show. Watch Tony Collingwood describe how it was designed for multiple markets.
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Tony talks about selling a programme to different markets with different languages.
In Yoko! Jakamoko! Toto! the programme was written with the constraints of language in mind, by creating a show that did not need translation, as the characters had such limited dialogue.
How do other long form animations with which you are familiar overcome language barriers to enable them to be sold to different territories around the world?