One of the most rewarding ways of getting learners to produce language – their own, or another target language – is to create a mystery, enigma or cliff hanger in …
Film is an unusual medium because it is quite ‘present’ in form – it feels as though it is happening directly before our eyes. At the same time, film stories …
In the previous two steps, we looked at how sequencing shots and filling in ellipses might encourage language production. In this step we take things a little further and discuss …
The principal technique used by works of art is that of withholding information. Withhold too much information, and the work is opaque, obscure or obtuse, and difficult to follow. Give …
Earlier on in the week, in Step 3.3, we looked at timelines, editing, and their relationship to tenses in language. In this step we’re going to look at how altering …
In this step we’d like you to complete a more extended recount task. The video above is the complete version of the one whose beginning we showed in Week 2. …
The written or spoken equivalent of the film flashback is the ‘recount’. This is where we recall a set of events, sometimes in a sequence. Diaries are the most common …
The flashback is a technique in film that is unique to the medium; in fact there is some speculation that the notion of the flashback in human psychology – as …
In filmmaking, the editing process is central to ‘how meaning is made’. Editing is where we decide how to sequence our shots; how long to make them, and how we …
When studying film, there is an important distinction to be made between two dimensions of ‘story time’: the time we experience as the viewers of the film (the 2 hours …
So that concludes the Short Film in Language Teaching course. We hope that you’ve enjoyed it and have benefited from contributing to discussions and sharing best practice with your peers. …
Teachers who took part in the BFI’s Screening Languages project found that one of the ways of intriguing and engaging young people with a new language was to help them …
Throughout Week 2, we’ve been looking at how film is very useful in supporting our inferences of what characters are saying. Perhaps the most valuable cues come from people’s facial …
Dress is one of the signals, or codes, that filmmakers and other visual artists use to communicate ideas about people, or groups of people and the cultures that they come …